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Of note:
“For many instances there’s not even the attempt at a pretext," Dan Novack, Penguin Random House vice president and associate general counsel, told The Times. "These are being removed because there are depictions of [LGBTQ+] characters, there are depictions of racial identity, and that's the reasons why they are being flagged by individuals for removal.
“And on top of that," Novack continued, "when these titles do get flagged, what we're seeing is that there is a committee that it’s supposed to go to that's filled with actual members of the community, experts, etc., and they're saying these are educationally appropriate. And then the school district is just overruling their own people. So it's one of the most eye-popping fact patterns we've seen, and we think that when the court sees it, and certainly the public sees it, they'll understand the strength of the case.”
A typical golf course uses 200 million gallons of water a year. There are over 16,300 golf courses in the United States.
That's nuts.
postcard c1910
I shall pass through this world but once, any good thing therefore I can do, or any kindness I can show to any human being, let me do it now, let me not defer it or neglect it for I shall not pass this way again.
I bet in the 20s all the weird German emo girls were thirsting after the Somnambulist
The bloke (Conrad Veidt) was an outspoken opponent of antisemitism, and when he refused to divorce his wife (who was Jewish), Joseph Goebbels had him blacklisted.
He also donated tons and tons of money to poor children who had been negatively effected by the Blitz in London after he moved to the US, following his becoming a naturalised-British citizen after leaving Germany in the 1930s.
Don’t forget that in 1919, he starred in “Different from the Others”, a German film protesting the anti-homosexuality laws in place. It’s widely regarded as the first pro-gay film. Conrad Veidt was a goddamn hero.
He was also the highest paid member of the cast in “Casablanca” (where he played a Nazi officer, again), even if he only got second billing, because he was THAT big a star.
He and his first wife divorced after… well she said it better than I ever could.
“I excused a lot of his failings and whims because I loved him. But one day he did something to me that I couldn’t forgive. I was singing that evening at the cabaret. I left him home and he told me: “I invited a few friends; we’ll dine while we wait for you.” And it just so happened I had received a new dress from Paris. That evening, after work, I arrived home and what do I see? All these gentlemen dressed as women. And Conrad had put on my Paris dress. At this point, I divorced!”
And as Anita Loos put it
“Any Berlin lady of the night might turn out to be a man; the prettiest girl on the street was Konrad [sic] Veidt.”
Good to see the tumblr sexyman precludes even tumblr
It’s important to mention, I think, that he served in WWI on the Eastern front. He became I’ll in the trenches and while recovering joined up with the theater his girlfriend worked for, and spent his recuperation putting on plays for the troops.
He also believed in spiritualism and thought that he himself was a medium.
He was sexy man, Betty Grable, and Alistair Crowley all at once. So…no wonder tumblr likes him so much.
I was unaware of his existence until just now but this is amazing.
However since Crowley was an antisemitic malicious selfish bastard I’d have to say he was the opposite of Crowley.
Fair point. Didn’t know much about Crowley, just that he invented tarot cards and popularized them. I personally stay well away from all of that nonsense. Alright, let’s amend it to a benevolent psychic witch or something. As you like it.
Veidt’s
role as Grand Vizier Jafar in “The Thief of Baghdad” (1940) was the inspiration for Disney’s version in the animated “Aladdin”.

His makeup as Gwynplaine in “The Man Who Laughs” (1928) was the inspiration for The Joker.

And his role as Cesare The Somnambulist in “The Cabinet of Doctor Caligari” (1919) was the inspiration for Tim Burton’s…
Well, look at him.

Are you ND and do you care a lot about the lighting in your space (picky about types of lights, avoiding using certain lights because they “feel” unpleasant, turning specific lights or combinations of lights on at certain times of day or for certain activities (and not doing so feels uncomfortable or wrong), or your brain and body use turning on or off specific lights as cues for moving into different “phases” of your day (getting ready in the morning, working, after work, leisure, getting ready for bed) and adhering to these “rules” helps ground your sense of time/routine)
I am ND and I care a lot about the lighting in my space
I am ND and I do not particularly care about the lighting in my space
I am not ND and I care a lot about the lighting in my space
I am not ND and I do not particularly care about the lighting in my space
Very much the opposite, I will sit on my ADHD butt and let the daylight fade to nothing, becoming a master of touchtyping rather than get up and turn on the light. But as to which light, don’t give a toss.
look, i dont care what directors say in behind-the-scenes or interviews, if they dont present that information in the film, they are bad story tellers. like, we had to assume everyone attended your comiccon panel? like? no. you are bad at story telling. if a character appears with zero context, it is confusing. i am not saying spoon feed the audience, but goddamn, there are plot devices that should be there to explain why that character showed up. not just information from your twitter. i shouldnt have to absorb five layers of media for your film to make sense
PREACH
“Some of you might be inclined to say ‘Oh, that’s explained in the book’ or ‘That’s explained in the deleted scenes’ to which I say:
Too bad.
I will do research to review a film, I will not do homework just to sit down and watch the damn thing and try to figure out what’s going on. If you need me to know something so I don’t think your character is an asshole and you don’t indicate it to me, well, it’s your fault I think your character’s an asshole.”
The only stuff that should be interview or panel-exclusive should be fun facts, like “if you look in the very back of the Millennium Falcon you’ll see a plushie of Mog from Spaceballs. We threw it in there as a nod to Mel Brooks.”
See TVTropes’ “All There In The Manual”.
But I don’t WANT to read the manual before I can enjoy all the nuances of the film.
All that supplementary stuff in various fictional worlds is great for Keen Fans Who Want To Know More.
It shouldn’t be the retroactive way to plug plot holes.
This was apparently explained in the novelisation.
It should have been explained IN THE BLOODY FILM…













